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Which Eurovision 2026 artists have the most TikTok followers?

  • Writer: Kyriakos Tsinivits
    Kyriakos Tsinivits
  • Apr 6
  • 2 min read
Various Eurovision 2026 artists
Various Eurovision 2026 artists

Social media plays a crucial role in the Eurovision lead-up, with artists constantly finding new ways to connect with fans and build momentum around their entries.


In recent years, TikTok has emerged as one of the most powerful drivers of that buzz — turning snippets into viral trends, shaping streaming success, and even influencing the Contest’s wider popularity.


With its ability to launch songs onto global charts and spark fan-driven moments, TikTok has become a key battleground for Eurovision artists.


We’ve taken a look at the official TikTok accounts of this year’s performers and ranked them by follower count.


So, who comes out on top?

 

Here are the rankings in reverse order:

(Figures accurate 3 April 2026)


Let's see who takes out the top spot!

 

Top 35


35. Jiva @jamila_hashimova (Azerbaijan) – 1.1K followers

34. Daniel Zizka @daniel_zizka (Czechia) – 1.8K followers

33. Simón @simooonofficial (Armenia) – 2.4K followers

32. Vanilla Ninja @thisisvanillaninja (Estonia) – 3.3K followers

31. Essyla @essylaoff (Belgium) – 5.7K followers



Top 30


30. Tamara Živković @tamarazivkoviceva (Montenegro) – 5.8K followers

29. Alis @aliskallaci (Albania) – 6.9K followers

28. Veronica Fusaro @fusaroveronica (Switzerland) – 7.4K followers

27. Lion Ceccah @lionceccah (Lithuania) – 10.0K followers

26. Eva Marija @evamarijaaa (Luxembourg) – 10.2K followers

25. Lavina @lavinaband (Serbia) – 10.7K followers

24. Bandidos do Cante @bandidosdocante (Portugal) – 12.8K followers

23. Jonas Lovv @jonaslovv (Norway) – 13.0K followers

22. Aidan @itsaidanofficial (Malta) – 16.2K followers

21. Søren Torpegaard Lund @s_rentorpegaardlund (Denmark) – 16.6K followers



Top 20


20. Cosmó @cosmomachtmusik (Austria) – 21.0K followers

19. Lelek @lelekmusic (Croatia) – 27.8K followers

18. Atvara @atvara (Latvia) – 40.6K followers

17. Linda Lampenius & Pete Parkkonen @lindalampeniusofficial / @pete.parkkonen (Finland) – 41.4K followers

16. Leléka @leleka_music (Ukraine) – 41.9K followers

15. Monroe @monroe.musique (France) – 43.3K followers

14. Alexandra Căpitănescu @alexoi.capi (Romania) – 44.5K followers

13. Senhit & Boy George @senhitofficial / @theonlyboygeorge (San Marino) – 70.0K followers

12. Bzikebi @bzzikebi (Georgia) – 79.9K followers

11. Satoshi @satoshicahul (Moldova) – 102.6K followers



Top 10


10. Noam Bettan @noambettan (Israel) – 107.6K followers

9. Alicja @aliciaszemplinska (Poland) – 107.9K followers

8. Akylas @akylas__ (Greece) – 148.1K followers

7. Delta Goodrem @deltagoodrem (Australia) – 161.4K followers

6. Look Mum No Computer @lookmumnocomputer (United Kingdom) – 196.7K followers



Top 5


5. Felicia @f.officiial (Sweden) – 217.3K followers

4. Dara @darbiethings (Bulgaria) – 352.1K followers

3. Antigoni @antigonisings (Cyprus) – 611.4K followers

2. Sal Da Vinci @saldavinci (Italy) – 636.3K followers


The Winner


So who is number one? Which artist has the most TikTok followers out of all the 2026 acts?


1. Sarah Engels @sarellax3 (Germany) – 731.2K followers



It’s no surprise the German superstar has such a strong TikTok following, she also is in the Top 5 artists with the most followers on Instagram and Spotify.



For continued updates on all the Eurovision Song Contest news, follow us on Facebook, Twitter, Instagram, YouTube, Bluesky, Threads, and TikTok. All links at: https://linktr.ee/aussievisionnet 


 
 
 

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Apr 07

It’s really interesting to see how much TikTok is influencing Eurovision even before the contest itself. Having a strong following there can seriously boost an artist’s visibility and even shape how their song performs with the public later on.

From what I’ve noticed, artists with an already established social media presence tend to build momentum much faster, especially when their tracks start trending or getting used in videos. It’s almost like pre-show promotion has become just as important as the live performance itself.

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