Aussievision's Eurovision Asia 2026 song rankings
Eleven songs will compete at the inaugural Eurovision Song Contest Asia in Bangkok, Thailand, and the Aussievision team has been busy ranking them to find our favourites!
Sixteen Aussievision team members have ranked all 11 songs, with points awarded Eurovision-style to their top 10 entries, from 12 points for their favourite down to one point for their tenth favourite. The team also provided commentary on the entries.
These rankings reflect our personal tastes, rather than predictions of how the songs will place on the night.
Results
11. Beatmosphere - Tumi ele (Bangladesh), 34 points
Highs: 6 points from Will. 5 points from John Christian.
Lows: 0 points from Srdjan, Dale, Kyriakos, Kiel and Fleur.
"Sorry Bangledesh beatboxing crew - while you're different from the pack, that track just didn't go anywhere for me. The most memorable part was the judge bouncing around in his chair at one point." ~ Kiel
10. Beck - Chamguigeer (Without You) (Monoglia), 36 points
Highs: 5 points from Paul, Joel and Fleur.
Lows: 1 point from Cooper, Michael, Hayley, Kiel, Laura, Craig and Emma.
9. Pratik Himal Rai - Ananta maya (Nepal), 36 points
Highs: 7 points from Fleur.
Lows: 0 points from Laura, Paul, Craig and Troy.
8. Monetrey - I Let You Go (Cambodia), 68 points
Highs: 12 points from John Christian.
Lows: 2 points from Kiel, Craig and Emma. 1 point from Dale and Joel.
"This song is an absolute masterclass of Eurovision Asia performance. Can't believe he pulled it off in an instant." ~ John Christian
"A piano-led ballad that is reminiscent of Slimane’s “Mon Amour” and Duncan Lawrence’s “Arcade” – a welcome palate cleanser from the pop-heavy tracks. Well-sung and a well-produced song that wouldn’t feel out of place in the regular Contest, hopefully he will get a better stage production to fully display how wonderful this song is." ~ Paul
7. Mang x Daou - Aroma (Thailand), 75 points
Highs: 12 points from Michael. 10 points from Craig.
Lows: 1 point from Paul and Fleur. 0 points from Hayley.
"I can't explain why I like this so much - it's just pleasing on the ear, with some lovely vocals and warm, inviting production. This feels like the sort of song that is designed to be belted out at karaoke in Bangkok - I can see why it appealed to audiences in the national final, and it's completely won me over too. Go Mang and Daou!" Craig
"Mang and Daou bring powerful vocals, natural chemistry and commanding stage presence. With its heartfelt emotion and distinctive Thai flair, “Aroma” could be a winning combination!" ~ Michael
6. Nyendra - Lhayi semo (Bhutan), 84 points
Highs: 12 points from Will. 10 points from Dale.
Lows: 0 points from Michael and Emma.
"This has been my favourite from day one. The first ESC Asia song ever and I really feel like it’s the best. His live vocals are beautiful and powerful, the mix of a modern and traditional sound is on point, I really could see this winning and it would be so well deserved."~ Will
"I absolutely adore this entry. His voice is sublime and he is so damn likeable. He has a confidence in his ability but a humble vulnerability at the same time that makes him a really endearing artist to watch. Love the song, the voice and I hope they keep some traditional elements for the live to really grab people's attention in Bangkok." ~ Dale
"There definitely is something here... He has a wonderful voice and charisma for days. If this song had a bit of a remix and there was a real "moment" this song I believe, could be a bit of a dark horse." ~Hayley
5. Thinla - Bae (Laos), 101 points
Highs: 12 points from Kiel. 10 points from Paul.
Lows: 0 points from Joel. 2points from John Christian
"On the surface, I should really dislike this song – it’s derivative, the lyrics are questionable, and there’s no flair to the song. However, if I’m completely honest, the song and Thinla’s charm have completely won me over. The repetitiveness of the “Bae” lyric in the chorus, as well as the heavy reggaeton beat, just gets into your head and it never leaves, until you play it again and start the vicious cycle. It’s addictive, it’s charming, and it’s wonderful representation for Laos. How it will go on the night is a mystery, but you can’t deny the beat, the repetition, and the charm of this song." ~ Paul
"BAE could win the televote through its infectious, instantly recognizable hook, energetic rhythm and distinctive blend of Lao musical identity with contemporary pop. Like Finland’s Cha Cha Cha, its combination of repetition, personality and performance potential could make it one of the night’s most memorable audience favorites!" ~ Michael
"It’s been said before but this one reminds me of Solo, and maybe even Unicorn from a couple of years ago. A really catchy earworm of a hook that could easily get the crowd involved, and this might translate into votes." ~ Will
"BAE-BAE-BAE-BAE, BAE-BAE-BAE, MY BAE! Lightyears ahead as the catchiest song of the inaugural EVAsia crop. It's cute, it's got silly and simple lyics, and everything we want for a fun entry to stick around in your head.
With the exception of the 20 second instrumental at the end, Laos has read the 'how to write a Eurovision song' playbook and delivered. Good luck Thinla!" ~ Kiel
"Sequins and cowboy boots are my new uniform." ~Hayley
4. Junhee - Deep Dive (South Korea), 106 points
Highs: 12 points from Fleur. 10 points from Kyriakos and Will.
Lows: 0 points from John Christian. 3 points from Hayley and Paul.
"The electro-bop is the standout in this competition. JUNHEE will be hard to beat. He is the most polished of this year's contestants." ~ Fleur
"This one has really grown on me since the national final, it’s obviously really catchy and it comes from someone already accustomed to the Eurovision scene in AleXa from the American Song Contest as a writer on it, combine this with the popularity of Korean music globally and you could have a winning formula for Korea." ~ Will
3. Aina Abdul - Bluest Sky (Malaysia), 113 points
Highs: 12 points from Kyriakos. 10 points from Srdjan, John Christian, Hayley, Laura Joel and Emma.
Lows: 0 points from Cooper. 2 points from Fleur.
"This ballad is beautiful! It is so Eurovision! There is drama, there is build up, there is emotion!! I cannot wait to see Aina Abdul win this Contest, it is hers for the taking!!" ~ Kyriakos
"Bluest Sky stands out to me as the most well-produced of the 11 entries. I love the blend of musical influences and orchestration which complement Aina's soaring vocals. This is both beautiful and memorable and I hope the staging can do justice to the studio version." ~ Emma
"If you are going to do a ballad this is the way to do it, I could immediately feel all the emotions Aina was trying to convey and I find the lyrics well written." ~ Srdjan
"Talented – yes. Vocally brilliant – yes. While she may be the most talented vocalist at this year’s Eurovision: Asia, this song doesn’t leave much to the imagination as she belts her way through the song, with very little nuance. You just know that she will be a phenomenon on stage – her live shows on YouTube and her massive following in Malaysia are proof of this. And, while it could be a potential winner, it just seems like it gets lost in hyperbole – over-sung, over-dramatic, and literally throwing everything at the audience in this three-minute ballad." ~ Paul
"I have nothing to say about this song, but this might give a competitive edge over the likes of Vietnam and the Philippines. This would be close, though, because the music video for it was breathtaking at best." ~ John Christian
"This is absolutely intoxicating. I cannot wait to see this on the stage - it’s going to be epic. Dramatic and very Eurovision!!" ~ Hayley
"Finally someone brought the emotional drama! Those vocals are stupendous, I hope she can replicate them live on stage. Because if so, Malaysia better get ready to host next year." ~ Joel
2. Tóc Tiên - Em Tiên (Vietnam), 124 points
Highs: 12 points from Cooper, Laura, Craig, Troy, Joel and Emma.
Lows: 0 points from Will. 2 points from Kyriakos.
"The song has everything I wanted from the Asian edition of Eurovision. A big pop banger with traditional cultural elements and a distinctly Asian music scene sound to it. Em Tien is a fantastic song that with elevated staging will blow the roof off of the arena come November." ~ Cooper
"If any song is going to challenge the heavy favourites for the win, Vietnam is the one who will do it. This song is addictive – mixing in traditional music and lyrics with synth/techno beats, and one that stands out as something that you’d want to see at an Asian Eurovision. This song is a bop and should put Vietnam on the map as an international musical powerhouse, a fact that is already known in South-East Asia." ~ Paul
"In my view, this is the clear standout of the inaugural Eurovision Asia - while the national final performance had some sound issues, this is still a fantastic track with creative production, real staging potential and some "wow" moments that stick with an audience member on first listen. While we don't have any previous editions to base predictions on, I for one will be shocked if this isn't on the podium at the end of the show." ~ Craig
"I love the perfect combination of high-energy EDM with Vietnamese musical elements, creating a sound that is both modern and culturally distinctive. To me it starts off in the 80's and finishes back in 2026. I love its catchy rhythm while the dramatic key changes make the song exciting and memorable. Its infectious energy makes it a standout entry that I can easily imagine enjoying again and again." ~ Emma
"Tóc Tiên’s ‘Em Tiên’ is exactly what I want from Eurovision Asia. It’s ridiculously catchy, mixes traditional Vietnamese sounds with modern pop, and is an absolute banger! The frenetic breakdown at the end… so fun." ~ Troy
"I love how this song and performance mixes traditional Vietnamese elements with contemporary pop sounds, it really makes the whole package stand out. This is memorable, it ticks all the boxes for me, and I can see Em Tiên winning Eurovision Asia!" ~ Laura
"When we look back in 10 years time, I reckon we’ll all be saying, “Yep, Vietnam was absolutely the right choice to be the first-ever winner of Eurovision Asia.” EM TIÊN manages to sound modern with a generous nod to its cultural roots, the performance is visually captivating in its authenticity, and it builds to a huge, high-energy finish. A well-deserved winner if you ask me!" ~ Joel
1. Carmelle - Sobra-Sobra (Philippines), 151 points
Highs: 12 points from Srdjan, Dale, Hayley, and Paul. 10 points from Cooper, Michael, Kiel, Troy and Fleur.
Lows: 7 points from John Christian, Joel and Emma.
"It’s a fan favourite for a reason, this song is just so catchy and Carmelle delivers this with such charisma and attitude. It has a very clear path to victory and I wouldn’t be mad at all about it!" ~ Cooper
"This has everything I look for in a song, its catchy, the performance is energetic and full of attitude and the mix of languages is great. What's not to like?" ~ Srdjan
"Obsessed and cannot stop listening to this bop. I see this on stage - backing dancers and full sass. What a Queen! If this doesn't win, I would be very surprised." ~Hayley
"For all my biases, objectively this is the best pop song in the competition. A mix of Asian flair with a modern r’n’b/reggaeton-trap beat and is phenomenally sung, this is addictive and empowering. Carmelle has the personality, the talent, and the song to go really far in the competition. Whether or not this song is in for the win is still up in the air, but I know that this has been on repeat on my playlist since it came out and feel immense pride every time I listen to it." ~ Paul
"Sobra Sobra has all the ingredients of a winning performance—vocal power, choreography, a catchy sound, and a relatable message that connects with the audience. It’s not just about singing or dancing; it’s about delivering the complete package!" ~ Michael
"CARMELLE’s ‘Sobra-Sobra’ is an absolute riot! Between the huge vocals and infectious hook, the Philippines has delivered three minutes of pure pop that feels made for Eurovision Asia but would also be right at home in Eurovision. It’s just missing a dance breaks a la Chanel." ~ Troy
"This is the full package. Cracking upbeat song with hooks and different moments to keep you engaged. It manages to be both a representative of the nation its from but also have a pan-Asian and even global sound anyone can enjoy. The line 'And if I’m too much for you Maybe you're just not enough for me' is one of my favourite lines in a long time. It does need to be a little cleaner in the live performance but CARMELLE has more than enough to put on a great show." ~ Dale
Entries with the most 12 points:
6 x 12 points: Vietnam
4 x 12 points: Philippines
1 x 12 points: Malaysia, Thailand, Bhutan, Laos, South Korea and Cambodia
So those are the results of the Aussievision team BEFORE we see the performances in Bangkok.
Vote in our public poll
Our annual public poll where we give those participating five televotes to use (rather than 12 points down to 1 point) is still open. Voting but closes 31 October.
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